Notable reviews were published in The New York Times, The New Yorker, The Washington Post, ArtForum, Art News, and local newspapers across the country.
Our archives hold dozens of articles and interviews with the artist in both newspapers and magazines. The exhibition was widely reviewed in the national and international press. Jeffrey Wechsler in the exhibition's catalogue His small paintings were scaled properly to the individual intentions of each specific work, fit the needs of each period of his art, and comprise a record of Gottlieb's ongoing balance of the objective and subjective aspects of his creative process." His retention of the relatively small Pictograph format well into the time when most of his fellows had moved into much larger, totally nonobjective art shows him to be an independent thinker whose stylistic shifts proceeded from inner purpose. "During the more than thirty-year span of Gottlieb's Abstract Expressionist enterprise, he seemed to approach all the elements of his art - subject matter and narrative, composition, gesture, color, size - with an open, unregimented mind. Below is a selection of installation images, catalogue essays, and individual works in the exhibition.
The show included four decades of small-scale paintings, works on paper, and sculptures by the artist and highlighted Gottlieb's focus on creating abstract images regardless of the size of the object. In the Spring of 1995, Manny Silverman Gallery in Los Angeles, California organized an exhibition of small-scale artwork by Adolph Gottlieb.
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